II·THE GUITARIST
Biography
Born in Stockholm, Alexander Hart trained first as a pianist from the age of six and then as a guitarist from nine. His early development ran in parallel across the classical, flamenco, and electric idioms. The electric side was shaped by years in progressive metal and neoclassical projects, and by studies and collaborations with Berklee guitar professor Bobby Stanton.
He completed a Bachelor of Music in guitar performance at McNally Smith College of Music in St. Paul, Minnesota, in 2008. His coursework there spanned classical technique, jazz, drum studies, recording theory, arranging, and composition.
From 2020 to 2023 he pursued advanced classical guitar studies under Mikhail Nagornov, head of the guitar department at the Kazan State Conservatory named after N. G. Zhiganov. Master’s of Music studies (2026) at Slobomir P University in Bosnia and Herzegovina, with the performance component undertaken in Belgrade under Dušan Dimitrijević, one of the foremost figures in Serbian classical guitar.
His flamenco studies have been with Andreas Germek of Austria, building on earlier work in the same tradition during his years in the United States.
Teaching
Alexander has taught guitar to private students for over fifteen years, beginning in the Minneapolis-St. Paul area in the United States, followed by faculty teaching at Oslo kulturskole, the Oslo Municipal Culture School, in Norway.
His classical specialties include the tremolo technique. Flamenco instruction covers the principal palos, including bulerías, farruca, malagueña, rumba, and taranta, with attention to the traditional rasgueado vocabulary. Electric guitar lessons follow Berklee-proven methods: arpeggio and two-note-per-string scale work, reading and ear training, tapping, and sweep picking.
Performance
Alexander performs as a soloist and, since September 2026, as one half of Nordlandia, a violin and guitar duo formed in Sweden with violinist Milica Knežević. Knežević holds a Master’s degree in violin performance from the Academy of Arts in Novi Sad and has performed with the National Theatre in Belgrade, the Vratsa Symphony Orchestra and the European Recording Orchestra. She leads the Umeå Baroque Ensemble. Nordlandia’s repertoire is rooted in classical music, from Chopin, Paganini and Fauré to Neapolitan song and tango.
From 2025 until September 2026 he performed as one half of The Danube Duet, a mandolin and classical guitar ensemble with Russian mandolinist Tatyana Koryukina, a Master’s graduate of the Kazan State Conservatory. The duo debuted in Belgrade in April 2026 and maintained an active concert programme across Serbia and central Europe, with appearances at the National Theatre of Serbia and on national television in Hungary and Serbia.